{"title":"Cradle Of Filth","description":null,"products":[{"product_id":"cradle-of-filth-the-screaming-of-the-valkyries-white-splatter-vinyl-12","title":"Cradle Of Filth \"The Screaming of the Valkyries (White Splatter Vinyl)\" 12\"","description":"\u003cp\u003e\u003cspan\u003eCradle Of Filth\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\"The Screaming of the Valkyries (White Splatter Gatefold Vinyl)\"\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e12\"\u003cbr\u003e\u003c\/span\u003e-Includes 24 page booklet\u003cbr\u003e-Limited to 500\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003eSIDE A\u003cbr\u003e1 – To Live Deliciously\u003cbr\u003e2 – Demagoguery\u003cbr\u003e3 – The Trinity Of Shadows\u003cbr\u003e4 – Non Omnis Moriar\u003cbr\u003e5 – White Hellebore\u003c\/p\u003e\n\u003cp\u003eSIDE B\u003cbr\u003e6 – You Are My Nautilus\u003cbr\u003e7 – Malignant Perfection\u003cbr\u003e8 – Ex Sanguine Draculae\u003cbr\u003e9 – When Misery Was A Stranger\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e*Actual vinyl color may differ from store image\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003eGRAMMY Award-nominated CRADLE OF FILTH reign supreme as one of the most revered, formative and\u003cbr\u003enotorious names in music – from the depths of the extreme metal underground to the peaks of mainstream pop\u003cbr\u003eculture itself, and are responsible for breaking ground for many of today’s top metal artists with their trademark\u003cbr\u003emixture of blackened heaviness, macabre theatricality and scintillating gothic style. The rule of Filth began in 1991,\u003cbr\u003efollowed by the unleashing of 1994’s The Principle Of Evil Made Flesh – humble beginnings that expanded into\u003cbr\u003ecinematic classics like Cruelty And The Beast and Midian, among others. Now, following the release of 2021’s\u003cbr\u003eExistence Is Futile – which debuted at #20 on the Billboard 200 with Hard Rock Genre (beyond many other chart\u003cbr\u003edebuts) – the international institution returns with their arrestingly catchy 14th studio album, The Screaming of the\u003cbr\u003eValkyries. Out in March 2025 via Napalm Records, the album is a succinct summation of the ghosts of Cradle’s\u003cbr\u003epast and a bold step into the future. Frontman Dani Filth’s recognizable scream and equally identifiable growl stand\u003cbr\u003emightily alongside twin guitar attacks, symphonic flourishes, and explosive rhythm section, implemented by\u003cbr\u003edrummer Martin “Marthus” Skaroupka, bassist Daniel Firth, guitarists Marek “Ashok” Smerda and Donny Burbage,\u003cbr\u003eand keyboardist\/vocalist Zoe Federoff.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eMenacing album opener “To Live Deliciously” hits immediately with rhythmic urgency, built around a Libertine lyrical\u003cbr\u003ehook that twists and writhes with aggression, atmosphere, and melody, before “Demagoguery” blends dark beauty,\u003cbr\u003eblast beats, and slaytanic groove as only Cradle can combine. Across the album’s blunt and unforgiving yet inviting\u003cbr\u003eexpanse, Cradle summons the succulent flavors of classic albums like Dusk And Her Embrace and Cruelty And\u003cbr\u003eThe Beast with the galloping (but no less fierce) thunder of recent entries Hammer Of The Witches and Existence\u003cbr\u003eIs Futile. Flashes of early metal influences coalesce with carnivorous glee into unapologetic death ‘n’ roll. “White\u003cbr\u003eHellebore” is CRADLE OF FILTH at its most devilishly straightforward, juxtaposing traditional heavy metal with\u003cbr\u003eblasts of thrashing fury, spinning back to operatic goth without sounding disjointed. Anchored by arguably the most\u003cbr\u003emournful melody in their catalog, “Non Omnis Moriar” (“I shall not wholly die”) could be a cousin to Paradise Lost or\u003cbr\u003eAnathema, inverted through Cradle’s thorny prism. “You Are My Nautilus” is the darkest song Iron Maiden never\u003cbr\u003ewrote, spinning an epic tale with dueling guitars, while “Ex Sanguine Draculae” conjures Dusk-era atmosphere with\u003cbr\u003eimaginative new colors.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eProduced, recorded, mixed, and mastered by Scott Atkins at Grindstone Studios in Suffolk, England, The\u003cbr\u003eScreaming of the Valkyries beckons the brave into a new era of CRADLE OF FILTH misadventure, celebrating\u003cbr\u003emassive melancholic melody, blackened thrash, and apocalyptic existential dread with a grinning smattering of\u003cbr\u003eunbridled revelry. A legacy-cementing album, The Screaming of the Valkyries is a bloody dark love letter to the\u003cbr\u003elongtime legion of CRADLE OF FILTH faithful and a stunning entryway for fresh lambs to the sonic slaughter. \u003c\/p\u003e","brand":"Cradle Of Filth","offers":[{"title":"Splattered White\/Black","offer_id":47813116952795,"sku":"630864","price":37.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0765\/4807\/9835\/files\/a6a999dacf32512ca7ea2074dd0eb95a.jpg?v=1760640525"},{"product_id":"cradle-of-filth-the-screaming-of-the-valkyries-inkspot-vinyl-12","title":"Cradle Of Filth \"The Screaming of the Valkyries (Inkspot Vinyl)\" 12\"","description":"\u003cp\u003e\u003cspan\u003eCradle Of Filth\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\"The Screaming of the Valkyries (Inkspot Smoke Gatefold Vinyl)\"\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e12\"\u003cbr\u003e\u003c\/span\u003e-Includes 24 page booklet\u003cbr\u003e-Limited to 500\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003eSIDE A\u003cbr\u003e1 – To Live Deliciously\u003cbr\u003e2 – Demagoguery\u003cbr\u003e3 – The Trinity Of Shadows\u003cbr\u003e4 – Non Omnis Moriar\u003cbr\u003e5 – White Hellebore\u003c\/p\u003e\n\u003cp\u003eSIDE B\u003cbr\u003e6 – You Are My Nautilus\u003cbr\u003e7 – Malignant Perfection\u003cbr\u003e8 – Ex Sanguine Draculae\u003cbr\u003e9 – When Misery Was A Stranger\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e*Actual vinyl color may differ from store image\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003eGRAMMY Award-nominated CRADLE OF FILTH reign supreme as one of the most revered, formative and\u003cbr\u003enotorious names in music – from the depths of the extreme metal underground to the peaks of mainstream pop\u003cbr\u003eculture itself, and are responsible for breaking ground for many of today’s top metal artists with their trademark\u003cbr\u003emixture of blackened heaviness, macabre theatricality and scintillating gothic style. The rule of Filth began in 1991,\u003cbr\u003efollowed by the unleashing of 1994’s The Principle Of Evil Made Flesh – humble beginnings that expanded into\u003cbr\u003ecinematic classics like Cruelty And The Beast and Midian, among others. Now, following the release of 2021’s\u003cbr\u003eExistence Is Futile – which debuted at #20 on the Billboard 200 with Hard Rock Genre (beyond many other chart\u003cbr\u003edebuts) – the international institution returns with their arrestingly catchy 14th studio album, The Screaming of the\u003cbr\u003eValkyries. Out in March 2025 via Napalm Records, the album is a succinct summation of the ghosts of Cradle’s\u003cbr\u003epast and a bold step into the future. Frontman Dani Filth’s recognizable scream and equally identifiable growl stand\u003cbr\u003emightily alongside twin guitar attacks, symphonic flourishes, and explosive rhythm section, implemented by\u003cbr\u003edrummer Martin “Marthus” Skaroupka, bassist Daniel Firth, guitarists Marek “Ashok” Smerda and Donny Burbage,\u003cbr\u003eand keyboardist\/vocalist Zoe Federoff.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eMenacing album opener “To Live Deliciously” hits immediately with rhythmic urgency, built around a Libertine lyrical\u003cbr\u003ehook that twists and writhes with aggression, atmosphere, and melody, before “Demagoguery” blends dark beauty,\u003cbr\u003eblast beats, and slaytanic groove as only Cradle can combine. Across the album’s blunt and unforgiving yet inviting\u003cbr\u003eexpanse, Cradle summons the succulent flavors of classic albums like Dusk And Her Embrace and Cruelty And\u003cbr\u003eThe Beast with the galloping (but no less fierce) thunder of recent entries Hammer Of The Witches and Existence\u003cbr\u003eIs Futile. Flashes of early metal influences coalesce with carnivorous glee into unapologetic death ‘n’ roll. “White\u003cbr\u003eHellebore” is CRADLE OF FILTH at its most devilishly straightforward, juxtaposing traditional heavy metal with\u003cbr\u003eblasts of thrashing fury, spinning back to operatic goth without sounding disjointed. Anchored by arguably the most\u003cbr\u003emournful melody in their catalog, “Non Omnis Moriar” (“I shall not wholly die”) could be a cousin to Paradise Lost or\u003cbr\u003eAnathema, inverted through Cradle’s thorny prism. “You Are My Nautilus” is the darkest song Iron Maiden never\u003cbr\u003ewrote, spinning an epic tale with dueling guitars, while “Ex Sanguine Draculae” conjures Dusk-era atmosphere with\u003cbr\u003eimaginative new colors.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eProduced, recorded, mixed, and mastered by Scott Atkins at Grindstone Studios in Suffolk, England, The\u003cbr\u003eScreaming of the Valkyries beckons the brave into a new era of CRADLE OF FILTH misadventure, celebrating\u003cbr\u003emassive melancholic melody, blackened thrash, and apocalyptic existential dread with a grinning smattering of\u003cbr\u003eunbridled revelry. A legacy-cementing album, The Screaming of the Valkyries is a bloody dark love letter to the\u003cbr\u003elongtime legion of CRADLE OF FILTH faithful and a stunning entryway for fresh lambs to the sonic slaughter. \u003c\/p\u003e","brand":"Cradle Of Filth","offers":[{"title":"Inkspot Black\/Red","offer_id":47813119475931,"sku":"630863","price":37.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0765\/4807\/9835\/files\/6ccad20039d5f497c0133b09f0195843.jpg?v=1760640623"},{"product_id":"cradle-of-filth-the-screaming-of-the-valkyries-smoke-vinyl-12","title":"Cradle Of Filth \"The Screaming of the Valkyries (Smoke Vinyl)\" 12\"","description":"\u003cp\u003e\u003cspan\u003eCradle Of Filth\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\"The Screaming of the Valkyries (Marbled Black Smoke Gatefold Vinyl)\"\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e12\"\u003cbr\u003e\u003c\/span\u003e-Includes 24 page booklet\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003eSIDE A\u003cbr\u003e1 – To Live Deliciously\u003cbr\u003e2 – Demagoguery\u003cbr\u003e3 – The Trinity Of Shadows\u003cbr\u003e4 – Non Omnis Moriar\u003cbr\u003e5 – White Hellebore\u003c\/p\u003e\n\u003cp\u003eSIDE B\u003cbr\u003e6 – You Are My Nautilus\u003cbr\u003e7 – Malignant Perfection\u003cbr\u003e8 – Ex Sanguine Draculae\u003cbr\u003e9 – When Misery Was A Stranger\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e*Actual vinyl color may differ from store image\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003eGRAMMY Award-nominated CRADLE OF FILTH reign supreme as one of the most revered, formative and\u003cbr\u003enotorious names in music – from the depths of the extreme metal underground to the peaks of mainstream pop\u003cbr\u003eculture itself, and are responsible for breaking ground for many of today’s top metal artists with their trademark\u003cbr\u003emixture of blackened heaviness, macabre theatricality and scintillating gothic style. The rule of Filth began in 1991,\u003cbr\u003efollowed by the unleashing of 1994’s The Principle Of Evil Made Flesh – humble beginnings that expanded into\u003cbr\u003ecinematic classics like Cruelty And The Beast and Midian, among others. Now, following the release of 2021’s\u003cbr\u003eExistence Is Futile – which debuted at #20 on the Billboard 200 with Hard Rock Genre (beyond many other chart\u003cbr\u003edebuts) – the international institution returns with their arrestingly catchy 14th studio album, The Screaming of the\u003cbr\u003eValkyries. Out in March 2025 via Napalm Records, the album is a succinct summation of the ghosts of Cradle’s\u003cbr\u003epast and a bold step into the future. Frontman Dani Filth’s recognizable scream and equally identifiable growl stand\u003cbr\u003emightily alongside twin guitar attacks, symphonic flourishes, and explosive rhythm section, implemented by\u003cbr\u003edrummer Martin “Marthus” Skaroupka, bassist Daniel Firth, guitarists Marek “Ashok” Smerda and Donny Burbage,\u003cbr\u003eand keyboardist\/vocalist Zoe Federoff.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eMenacing album opener “To Live Deliciously” hits immediately with rhythmic urgency, built around a Libertine lyrical\u003cbr\u003ehook that twists and writhes with aggression, atmosphere, and melody, before “Demagoguery” blends dark beauty,\u003cbr\u003eblast beats, and slaytanic groove as only Cradle can combine. Across the album’s blunt and unforgiving yet inviting\u003cbr\u003eexpanse, Cradle summons the succulent flavors of classic albums like Dusk And Her Embrace and Cruelty And\u003cbr\u003eThe Beast with the galloping (but no less fierce) thunder of recent entries Hammer Of The Witches and Existence\u003cbr\u003eIs Futile. Flashes of early metal influences coalesce with carnivorous glee into unapologetic death ‘n’ roll. “White\u003cbr\u003eHellebore” is CRADLE OF FILTH at its most devilishly straightforward, juxtaposing traditional heavy metal with\u003cbr\u003eblasts of thrashing fury, spinning back to operatic goth without sounding disjointed. Anchored by arguably the most\u003cbr\u003emournful melody in their catalog, “Non Omnis Moriar” (“I shall not wholly die”) could be a cousin to Paradise Lost or\u003cbr\u003eAnathema, inverted through Cradle’s thorny prism. “You Are My Nautilus” is the darkest song Iron Maiden never\u003cbr\u003ewrote, spinning an epic tale with dueling guitars, while “Ex Sanguine Draculae” conjures Dusk-era atmosphere with\u003cbr\u003eimaginative new colors.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eProduced, recorded, mixed, and mastered by Scott Atkins at Grindstone Studios in Suffolk, England, The\u003cbr\u003eScreaming of the Valkyries beckons the brave into a new era of CRADLE OF FILTH misadventure, celebrating\u003cbr\u003emassive melancholic melody, blackened thrash, and apocalyptic existential dread with a grinning smattering of\u003cbr\u003eunbridled revelry. A legacy-cementing album, The Screaming of the Valkyries is a bloody dark love letter to the\u003cbr\u003elongtime legion of CRADLE OF FILTH faithful and a stunning entryway for fresh lambs to the sonic slaughter. \u003c\/p\u003e","brand":"Cradle Of Filth","offers":[{"title":"Marbled Black Smoke","offer_id":47813125308635,"sku":"623310","price":31.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0765\/4807\/9835\/files\/3c2d21905034c8e2cc802f0d4dfb370d.jpg?v=1760640762"},{"product_id":"cradle-of-filth-the-screaming-of-the-valkyries-clear-vinyl-12","title":"Cradle Of Filth \"The Screaming of the Valkyries (Clear Vinyl)\" 12\"","description":"\u003cp\u003e\u003cspan\u003eCradle Of Filth\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\"The Screaming of the Valkyries (Clear Gatefold Vinyl)\"\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e12\"\u003cbr\u003e\u003c\/span\u003e-Includes Signed Autograph Card\u003cbr\u003e-Includes 24 page booklet\u003cbr\u003e-Limited to 300\u003c\/p\u003e\n\u003cp\u003eTracklisting:\u003cbr\u003eSIDE A\u003cbr\u003e1 – To Live Deliciously\u003cbr\u003e2 – Demagoguery\u003cbr\u003e3 – The Trinity Of Shadows\u003cbr\u003e4 – Non Omnis Moriar\u003cbr\u003e5 – White Hellebore\u003c\/p\u003e\n\u003cp\u003eSIDE B\u003cbr\u003e6 – You Are My Nautilus\u003cbr\u003e7 – Malignant Perfection\u003cbr\u003e8 – Ex Sanguine Draculae\u003cbr\u003e9 – When Misery Was A Stranger\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e*Actual vinyl color may differ from store image\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003eGRAMMY Award-nominated CRADLE OF FILTH reign supreme as one of the most revered, formative and\u003cbr\u003enotorious names in music – from the depths of the extreme metal underground to the peaks of mainstream pop\u003cbr\u003eculture itself, and are responsible for breaking ground for many of today’s top metal artists with their trademark\u003cbr\u003emixture of blackened heaviness, macabre theatricality and scintillating gothic style. The rule of Filth began in 1991,\u003cbr\u003efollowed by the unleashing of 1994’s The Principle Of Evil Made Flesh – humble beginnings that expanded into\u003cbr\u003ecinematic classics like Cruelty And The Beast and Midian, among others. Now, following the release of 2021’s\u003cbr\u003eExistence Is Futile – which debuted at #20 on the Billboard 200 with Hard Rock Genre (beyond many other chart\u003cbr\u003edebuts) – the international institution returns with their arrestingly catchy 14th studio album, The Screaming of the\u003cbr\u003eValkyries. Out in March 2025 via Napalm Records, the album is a succinct summation of the ghosts of Cradle’s\u003cbr\u003epast and a bold step into the future. Frontman Dani Filth’s recognizable scream and equally identifiable growl stand\u003cbr\u003emightily alongside twin guitar attacks, symphonic flourishes, and explosive rhythm section, implemented by\u003cbr\u003edrummer Martin “Marthus” Skaroupka, bassist Daniel Firth, guitarists Marek “Ashok” Smerda and Donny Burbage,\u003cbr\u003eand keyboardist\/vocalist Zoe Federoff.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eMenacing album opener “To Live Deliciously” hits immediately with rhythmic urgency, built around a Libertine lyrical\u003cbr\u003ehook that twists and writhes with aggression, atmosphere, and melody, before “Demagoguery” blends dark beauty,\u003cbr\u003eblast beats, and slaytanic groove as only Cradle can combine. Across the album’s blunt and unforgiving yet inviting\u003cbr\u003eexpanse, Cradle summons the succulent flavors of classic albums like Dusk And Her Embrace and Cruelty And\u003cbr\u003eThe Beast with the galloping (but no less fierce) thunder of recent entries Hammer Of The Witches and Existence\u003cbr\u003eIs Futile. Flashes of early metal influences coalesce with carnivorous glee into unapologetic death ‘n’ roll. “White\u003cbr\u003eHellebore” is CRADLE OF FILTH at its most devilishly straightforward, juxtaposing traditional heavy metal with\u003cbr\u003eblasts of thrashing fury, spinning back to operatic goth without sounding disjointed. Anchored by arguably the most\u003cbr\u003emournful melody in their catalog, “Non Omnis Moriar” (“I shall not wholly die”) could be a cousin to Paradise Lost or\u003cbr\u003eAnathema, inverted through Cradle’s thorny prism. “You Are My Nautilus” is the darkest song Iron Maiden never\u003cbr\u003ewrote, spinning an epic tale with dueling guitars, while “Ex Sanguine Draculae” conjures Dusk-era atmosphere with\u003cbr\u003eimaginative new colors.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eProduced, recorded, mixed, and mastered by Scott Atkins at Grindstone Studios in Suffolk, England, The\u003cbr\u003eScreaming of the Valkyries beckons the brave into a new era of CRADLE OF FILTH misadventure, celebrating\u003cbr\u003emassive melancholic melody, blackened thrash, and apocalyptic existential dread with a grinning smattering of\u003cbr\u003eunbridled revelry. 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The rule of Filth began in 1991,\u003cbr\u003efollowed by the unleashing of 1994’s The Principle Of Evil Made Flesh – humble beginnings that expanded into\u003cbr\u003ecinematic classics like Cruelty And The Beast and Midian, among others. Now, following the release of 2021’s\u003cbr\u003eExistence Is Futile – which debuted at #20 on the Billboard 200 with Hard Rock Genre (beyond many other chart\u003cbr\u003edebuts) – the international institution returns with their arrestingly catchy 14th studio album, The Screaming of the\u003cbr\u003eValkyries. Out in March 2025 via Napalm Records, the album is a succinct summation of the ghosts of Cradle’s\u003cbr\u003epast and a bold step into the future. Frontman Dani Filth’s recognizable scream and equally identifiable growl stand\u003cbr\u003emightily alongside twin guitar attacks, symphonic flourishes, and explosive rhythm section, implemented by\u003cbr\u003edrummer Martin “Marthus” Skaroupka, bassist Daniel Firth, guitarists Marek “Ashok” Smerda and Donny Burbage,\u003cbr\u003eand keyboardist\/vocalist Zoe Federoff.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eMenacing album opener “To Live Deliciously” hits immediately with rhythmic urgency, built around a Libertine lyrical\u003cbr\u003ehook that twists and writhes with aggression, atmosphere, and melody, before “Demagoguery” blends dark beauty,\u003cbr\u003eblast beats, and slaytanic groove as only Cradle can combine. Across the album’s blunt and unforgiving yet inviting\u003cbr\u003eexpanse, Cradle summons the succulent flavors of classic albums like Dusk And Her Embrace and Cruelty And\u003cbr\u003eThe Beast with the galloping (but no less fierce) thunder of recent entries Hammer Of The Witches and Existence\u003cbr\u003eIs Futile. Flashes of early metal influences coalesce with carnivorous glee into unapologetic death ‘n’ roll. “White\u003cbr\u003eHellebore” is CRADLE OF FILTH at its most devilishly straightforward, juxtaposing traditional heavy metal with\u003cbr\u003eblasts of thrashing fury, spinning back to operatic goth without sounding disjointed. 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The rule of Filth began in 1991,\u003cbr\u003efollowed by the unleashing of 1994’s The Principle Of Evil Made Flesh – humble beginnings that expanded into\u003cbr\u003ecinematic classics like Cruelty And The Beast and Midian, among others. Now, following the release of 2021’s\u003cbr\u003eExistence Is Futile – which debuted at #20 on the Billboard 200 with Hard Rock Genre (beyond many other chart\u003cbr\u003edebuts) – the international institution returns with their arrestingly catchy 14th studio album, The Screaming of the\u003cbr\u003eValkyries. Out in March 2025 via Napalm Records, the album is a succinct summation of the ghosts of Cradle’s\u003cbr\u003epast and a bold step into the future. Frontman Dani Filth’s recognizable scream and equally identifiable growl stand\u003cbr\u003emightily alongside twin guitar attacks, symphonic flourishes, and explosive rhythm section, implemented by\u003cbr\u003edrummer Martin “Marthus” Skaroupka, bassist Daniel Firth, guitarists Marek “Ashok” Smerda and Donny Burbage,\u003cbr\u003eand keyboardist\/vocalist Zoe Federoff.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eMenacing album opener “To Live Deliciously” hits immediately with rhythmic urgency, built around a Libertine lyrical\u003cbr\u003ehook that twists and writhes with aggression, atmosphere, and melody, before “Demagoguery” blends dark beauty,\u003cbr\u003eblast beats, and slaytanic groove as only Cradle can combine. 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